By Justine Johnson - Posted on 01 July 2011

 train. bus. almonds and a cool breeze. new hampshire summer air sweetly scented like pine and mountains of oak and musk and fresh flora. so crisp and real and unlike what i came from and what i will eventually go back to. mailing letters past the due date that read of girls drunk on fatigue and insights on howls and Howl and the present effect of alcohol on her social skills. self conscious about the corporation versus the art and how the two are inappropriate toward each other, foreign intruders (of redundancy) who don’t belong in an office mail box. basket? holder?

muscle and muscle and muscle and naps, an ampersand holding them together with fierce shiraz adhesive glue; veins and contours that taper into a form so familiar and missed and sad. gay men married to beautiful women. san francisco 1955. with the steams of and grinds of and maybe a wink of a working eye and the trickery of a phone number. a set up. a scenario of entrapment. roasts & blends.

heartbeating and eye lids, the small-town relation. it’s okay. let’s move on.

(i wrote this on a futon in the haus der munro.)


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