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"Let us bring to daylight the impulses of midnight contemplation."

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Words Across Worlds submission by Prof. James Mahoney

I started college in the Fall of 1964. By that time there had been many demonstrations, and Martin Luther King was a recognizable figure. It was a confusing time because there were a lot of mixed motivations for what people were doing. As a fairly ignorant kid, living by that time in a very typical suburban setting, it was the music that called attention to the extent of the injustices of racism, and rallied a sense of unity with those who were doing something about it. Blowing in the Wind was sort of an anthem, whether it was sung by Dylan or Peter Paul and Mary. There was a very strong sense of a division between what was just and unjust, and the “generation gap” talked about so much at the time was marked by being clear about rejecting racism. I got dragged along by some of my friends to demonstrations. The emotional importance of singing We Shall Overcome while standing with those who shared deeply this commitment meant a lot. ( I was only in a situation where I felt threatened once or twice. My strategy was to get behind the nuns).

One of the musical figures that might not be so well known as Joan Baez or Pete Seeger was Phil Ochs. I think his best stuff was written in speaking out against the war. One good example would be Draft Dodger Rag. He wrote some stuff that was pretty bitter, Here’s to the State of Mississippi., and In the Heat of the Summer. And he wrote some stuff that is quite wistful, for example, Flower Lady. Music then had the power to trouble one’s conscience, as in Is There Anybody Here? The song that seems the one most people remember him by is There But for Fortune. I recommend them all to you. I still have them on my old reel to reel set up, but you can get at the performances now in ways easier and more familiar to you than that.


Words Across Worlds submission by Karina de Brum

 Karina de Brum

this isn't a big revealing moment but I grew up in a hugely diverse place. as a little kid Shel Silverstein was one of my heroes, your call reminded me of this.

"My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet."

Shel Silverstein "Where the Sidewalk Ends"

I'm walking down memory lane... this is the last one for you..

No Difference

Small as a peanut,
Big as a giant,
We're all the same size
When we turn off the light.

Rich as a sultan,
Poor as a mite,
We're all worth the same
When we turn off the light.

Red, black or orange,
Yellow or white,
We all look the same
When we turn off the light.

So maybe the way,
To make everything right
Is for god to just reach out
And turn off the light!"

Shel Silverstein <
http://www.goodreads.com/author/show/435477.Shel_Silverstein>

Words Across Worlds submission by Cheryl Bagtaz

Cheryl Bagtaz

Benefits & HRIS Specialist

 

 

 

My earliest memory of anything connected to diversity was in 1974. I was in the 8th grade in Braintree, MA. A federal judge, Arthur Garrity, Jr, ordered that students from Boston’s schools would be bused to other communities in an effort to achieve racial integration. I remember black students coming to our school. I remember watching news footage of the riots and protests. I was among a large group of students who participated in a walk-out in support of the black students being able to go to school in their own neighborhoods. We all got suspended. At the time my mother worked third shift at the First National Bank of Boston in Dorchester. As she was leaving work in the morning there would be National Guardsmen lined up on the street to protect the students getting on and off of the buses.

 

 

 

 September 1974 outside South Boston High School

 

"Boston Busing Riots" 1974    MLK in Boston

 

 

kemi alabi

kemi alabi

 kemi alabi

perini lecture hall, saint anselm college

19 january 2012

manchester, new hampshire

2/52

2/52

 listening to cocorosie and understanding that i just have to execute, not dwell.

it's the second week of my second 52 weeks project. i'm pushing myself.

 

lovingly

you saw me lie and admire the somber sound of wood on wood. you noticed deceitful eyelids before i ever considered them. wind and water and waiting tore things apart. sand changed you.

i am the lamb and you are the lion and after unspoken gods come back to earth, we will lay down.

 

the fifty-two weeks of 2011

promises, accomplishments & change

Countup

 1 thing

2 tell you.

3 strikes you’re out,

4 not answering to me.

5 reasons why this week sucks:

6 days ago I asked you something.

7 minutes before you responded, each minute hurt.

8 um’s later I walked out the door forever.

9 at night pitch black, freezing cold and lonely out.

10 times you called me. Stop. It’s over. Leave me alone.

 

What You Need to Understand and Preferably Also Not Understand

 

 

I realized two days after the end before the beginning and upon subsequent completion the end was the beginning is the end. Words man, words say things, they open up a world of indefinite reality set upon vinyl to a record player of life. A side, B side, each has its qualities and each has its way of being. Can the tortoise shell glasses redeem the sacrificial lamb from its wrongs upon the hill of judgment? Can a semi-religious statement be made to seem like one come from the mouth of a non-believer? Mark off the prices of idiosyncratic Black Friday stores, raid them for their wares, for their solutions to ancient living. Turn statements and maxims on their heads and understand than going forth, that moving is preferable to standing still. Relativity doesn't apply here Einstein, understand this kind of statement too is funny because it confronts an expression. Understand wordplay might be more important than understanding, that the Black Forest contains secrets of mythological understanding set upon a pedestal of nothingness and lies. Understand that saying you are mighty fine and being mighty fine are one in the same. There is no lie at play here. The cliché goes that people always lie when they say “I'm fine” but in this case you should speak it truly. You are fine. You are alive. You are fine. You breathe. You are fine. You can eat a calzone and send that motherfucker down your throat, through your digestive tract and enjoy the crap out of it.

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